Ignas Melnikas 9/22/26 Ignas Melnikas 9/22/26

Lessons with Arturo Melocchi - Part 2

Ignas Melnikas 9/22/26 Ignas Melnikas 9/22/26

Lessons with Arturo Melocchi - Part 1

Ignas Melnikas 2/1/26 Ignas Melnikas 2/1/26

Arturo Melocchi’s Method Through His Students’ Testimonies

Ignas Melnikas 12/31/25 Ignas Melnikas 12/31/25

Leone Giraldoni on the Low Larynx: Operatic Technique in Verdi’s Time

Ignas Melnikas 12/26/25 Ignas Melnikas 12/26/25

Where have all the great voices gone? by Gino Bechi

Ignas Melnikas 11/29/25 Ignas Melnikas 11/29/25

The position in Singing

Ignas Melnikas 10/30/25 Ignas Melnikas 10/30/25

How to recover a lost voice? by Mario del Monaco

Ignas Melnikas 6/26/25 Ignas Melnikas 6/26/25

Lessons with Marcello and Mario del Monaco

Ignas Melnikas 5/3/25 Ignas Melnikas 5/3/25

How did Franco Corelli teach singing?

Ignas Melnikas 1/4/25 Ignas Melnikas 1/4/25

Melocchi method explained

Ignas Melnikas 9/11/24 Ignas Melnikas 9/11/24

Enrico Caruso: the open throat of the legendary tenor

Ignas Melnikas 9/9/24 Ignas Melnikas 9/9/24

Arturo Melocchi’s letter to Mario del Monaco

Ignas Melnikas 8/8/24 Ignas Melnikas 8/8/24

Gino Bechi about the low larynx

Ignas Melnikas 7/16/24 Ignas Melnikas 7/16/24

Rare audio: Arturo Melocchi teaching Gastone Limarilli

Ignas Melnikas 6/10/24 Ignas Melnikas 6/10/24

The queen of squillo or ring: the vowel I

Ignas Melnikas 6/5/24 Ignas Melnikas 6/5/24

The Power of “U”: The Foundational Vowel in the Melocchi School

Ignas Melnikas 2/23/24 Ignas Melnikas 2/23/24

What is wrong with modern operatic singing?

Ignas Melnikas 2/4/24 Ignas Melnikas 2/4/24

Giuseppe Giacomini on technique

Ignas Melnikas 1/31/24 Ignas Melnikas 1/31/24

Voice building and vocal fatigue

Ignas Melnikas 12/18/23 Ignas Melnikas 12/18/23

Mario del Monaco vocal technique